1.请问哪个平台可以在线免费观看美剧《衣领上的唇印》？

优酷视频网友：《衣领上的唇印》免vip在线观看地址:www.khpcb.com/xd/374576.html

2.《衣领上的唇印》是什么时候上映/什么时候开播的？

腾讯视频网友：1993年，详细日期可以去百度百科查一查。

3.《衣领上的唇印》主要演员有哪些？

爱奇艺网友：主演Giles,Thomas,Ewan,McGregor,Louise,Germaine,Peter,Jeffrey,Clive,Francis

4.美剧《衣领上的唇印》有多少集？

电影吧网友：现在是已完结

5.手机版免费在线点播《衣领上的唇印》有哪些网站？

手机电影网网友：电影天堂网、神马电影手机端、神马电影网

6.《衣领上的唇印》评价怎么样？

百度最佳答案：《衣领上的唇印》评价很好，演员阵容强大，并且演员的演技一直在线，全程无尿点。你也可以登录百度问答获得更多评价。

影片名称：衣领上的唇印

影片别名：未知

影片拼音：yilingshangdechunyin

上映时间：1993

国家地区：英国

影片语言：英语

影片类型：欧美

影片导演：未知

影片主演：Giles,Thomas,Ewan,McGregor,Louise,Germaine,Peter,Jeffrey,Clive,Francis..

资源类别：

资源更新：已完结

总播放数：262次

入库时间：2024-04-10

豆瓣评分：2.0

IMDB评分：

剧情介绍：

　　The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.